site-specific installation in the gallery closet, with white plastic chairs, white marble stones, white picket fencing, single channel video and two channel audio
"Kathryn Cornelius makes a more direct run at anomie. Constructed in and around what appears to be a closet, the artist's claustrophobic "Address" utilizes even more jarring audio (partially recorded from the screams of roller coaster riders) and an uncomfortable bed of crushed white marble between white picket fencing to make a statement about the violence and trauma that occasionally underlie the quiet domestic exteriors of our homes." - Michael O'Sullivan for The Washington Post
